Overall, it's anti-woke, unapologetic, blue-collar dark comedy that punches down on yourself first, then the world, with a nihilistic grin. It sits in that sweet spot between Anthony Jeselnik's surgical cruelty, early Doug Stanhope's filth, and the chaotic podcast energy of something like The Dick Show. Very distinctive for the Wheeling scene—edgy enough to stand out, personal enough to feel authentic, and absurd enough to be memorably fucked up.
